aaron taylor johnson nocturnal animals interview

Susan, on the other hand, who married Edward solely to rebel against her parents’ selective lifestyle, willingly traps herself and limits her emotions to the reality of a rigid, materialistic world.

He is wired to creatively put himself and his emotions on the line and transform his reality into art.

I know how absurd the comparison may sound but please bear with me.Įdward is a writer. In the end, Tony takes revenge on the men who killed his family, and Edward… well, he doesn’t exactly kill Susan, but he does something similar: He stands her up at a restaurant. It’s a no-brainer figuring out that Edward’s novel is an allegory of the emotional turmoil caused by Susan who had aborted his child and run off with a wealthier and worldlier man. As Susan reads the emotionally devastating story about Tony Hastings (also played by Gyllenhaal) who takes his family on a trip that ends tragically with the rape and murder of his wife and daughter, she helplessly reminisces about her self-sabotaged relationship with Edward. Here, the diegetic narrative unfolds into other two storylines treading two different paths: fictional and chronological. She decides to occupy her sleepless nights reading the book which, according to Edward’s note, is inspired by and dedicated to her. Susan receives the manuscript of a new novel written by her ex-husband Edward Sheffield (Jake Gyllenhaal) whom she hasn’t seen in years. We then follow the extremely classy Susan to the coldness of her prodigal house and get to know her dashingly handsome, and equally distant, husband Hutton (conveniently played by Armie Hammer). The sequence is shocking, and it sets the entire tone of the film because it unveils the stark discrepancy between reality and our individual perception of what reality is – a kernel component of the story. I just can’t help but wonder whether viewers would have had the same reaction if the dancing models were slim SuperBarbies or six-packed young men. The sequence features a number of obese women provocatively dancing nude, which turns out to be part of an exhibition put on in an art gallery owned by Susan Morrow (Amy Adams). ph: Jay Maidment/© Walt Disney Studios Motion Pictures THIEF LORD, George MacKay, Aaron Johnson, 2005 KICK-ASS, Aaron Johnson, 2010.Tom Ford’s Nocturnal Animals (2016) opens with a sequence that has been attacked for being disgusting, demeaning, misogynist and irrelevant. ph: Daniel Smith/©Lions Gate AVENGERS: AGE OF ULTRON, from left: Elizabeth Olsen as Scarlet Witch/Wanda Maximoff, Aaron Taylor-Johnson as Quicksilver/Pietro Maximoff, 2015. ph: Daniel Smith/©Lions Gate KICK-ASS, Aaron Johnson, 2010. ph: Merrick Morton/© Focus Features KICK-ASS, from left: Christopher Mintz-Plasse, Aaron Johnson, on set, 2010. ©Kimmel International NOCTURNAL ANIMALS, from left: Michael Shannon, Aaron Taylor-Johnson, 2016. Pictures KICK-ASS 2, l-r: Chloe Grace Moretz, Aaron Taylor-Johnson, Christopher Mintz-Plasse, 2013, ph: Daniel Smith/©Universal Pictures THE GREATEST, from left: Carey Mulligan, Aaron Johnson, 2009. Ph: Daniel Smith/©Lions Gate GODZILLA, from left: Aaron Taylor-Johnson, Elizabeth Olsen, 2014. Ph: Daniel Smith/©Lions Gate KICK-ASS, Aaron Johnson, 2010. Pictures KICK-ASS 2, l-r: Aaron Taylor-Johnson, Chloe Grace Moretz, director Jeff Wadlow on set, 2013, ph: Daniel Smith/©Universal Pictures KICK-ASS 2, l-r: Aaron Taylor-Johnson, Chloe Grace Moretz, 2013, ph: Daniel Smith/©Universal Pictures KICK-ASS, from left: Aaron Johnson, Chloe Moretz, 2010. Ph: Daniel Smith/©Lions Gate GODZILLA, from left: Aaron Taylor-Johnson, director Gareth Edwards, on set, 2014. ph: Daniel Smith/©Universal Pictures KICK-ASS, from left: Aaron Johnson, Christopher Mintz-Plasse, 2010. The Illusionist Photos KICK-ASS 2, from left: Jim Carrey, Aaron Taylor-Johnson, 2013.

Aaron taylor johnson nocturnal animals interview